 |
|
 |
|
| |
 |
Damir A. Sinovcic
Competition Chair
|
|
Letter from the Chair:
Speaking on behalf of the Miami Monument committee as well as our distinguished panel of judges, I would like to thank all the participants for their creative and compelling design proposals. We are extremely pleased with the response from our local designers as well as the international design community for contributing their spectacular ideas and visions for the future of Miami.
The winner of the 2005 Miami Monument Design and Visualization competition is Roberto Rovira from Azimuth Studio in Miami, FL with the proposal entitled Miami Sunspars. Rovira is also an Assistant Professor of Landscape Architecture at the Florida International University School of Architecture. His design intervention bridges the bay both physically and metaphorically as it links downtown Miami, Watson Island, Port Authority and South Beach through a combination of civic and cultural activities.
Second place winner is Ming Tang, a faculty member from the Savannah College of Art and Design in Savannah, GA with an entry entitled Blooming Architecture. Third place goes to Jorge Peralta Urquiza, a local architect practicing in Argentina and the United States with his proposal for The Torch.
SPINE3D and the South Florida Chapter of the American Institute of Architects encourage the creative dialogue about the city of Miami and its future with events such as this competition. For more information about SPINE3D and upcoming events, visit www.spine3d.com
Sincerely,
Damir Anthony Sinovcic
Competition Chair, Miami Monument |
| |
| |
| |
 |
From left to right:
LYNN COULTER: Project Developer, Leviev Boymelgreen Development, MICHAEL KERWIN: President of the South Florida Chapter of the American Institute of Architects,
EDDIE LEON: President & CEO, SPINE 3D, RAFAEL SIXTO, Chair of the Urban Design Committee for the AIA, DAMIR ANTHONY SINOVCIC: Competition Chair, Miami Monument,
Mark Alex Maidique: President Maidique Design + Build, RICHARD SWERDLOW: Chief Executive Officer, Swerdlow Group, JUAN ANTONIO BUENO: Dean of the School of
Architecture and Professor of Landscape Architecture at Florida International University |
| |
| |
|
 |
|
Roberto Rovira
Professor at the Florida International University School of Architecture
|
| |
| Concept Statement: |
One hundred years should be enough to tell a story. Patterns should emerge. Certain riddles solved in the process. Miamiís legacy suggests differently. The crossroads it embodies transcends physical place, embracing transformation as its constant, making predictions all but futile. Its streets teem with languages, countries and accents. Life confronts daily, as does the occasional and unquestionable authority of an impending storm, reminding everyone that resilience is perhaps the only other quality running as reliably as the self-energizing certainty of change in Miami. Whether the vibrant energy this city embodies can somehow be quantified, is not as significant as the manner in which Miami is capable of taking it all in thirstily and returning it tenfold with an ever-expanding appetite for life. It is this very process of re-generation that guides this bold proposal for the Miami Monumentóone whose objective is to provide an example for other great cities to follow, if only in their commitment to projects that embrace change wholeheartedly, not only in design, but also as a life, civic and urban ideal. The Miami Sunspars, symbolize duality and change, as much as they fulfill the urban imperative of pedestrian connectivity. When horizontal, the Sunspar network physically links important destinations along Miamiís edge. When vertical, they soar over 2,000 feet providing majestic urban markers whose solar sails shimmer under the tropical sun, collecting enough energy to illuminate them dramatically at night, and returning the many extra kilowatts to the electrical grid, in an elegantly sustainable design. A tram system attaches to the Sunspars and works like a large-scale ski-lift, capable of safely shuttling people horizontally from one location to another. Vertically, the trams act as elevators, providing unparalleled dramatic views of Miami and South Florida. As beacons connecting the edges of Miamiís downtown, the Childrenís Museum, Port Authority and South Beach, the Sunspars are visible from afar, affording spectacular navigational aids for both land and seaborne traffic. During hurricanes or heavy weather, they can be lowered to their horizontal configuration and used to evacuate people quickly. Each Sunspar also broadcasts a moving stream of information via a digital MediaBar where Miamiís people, events & weather are displayed. During designated periods, any or all spars can be lowered. The form of the Miami Sunspars is inspired by the graceful shape of leaves on a palm frond, and by the illuminated cranes that dot the Miami seaport. The resilience of vegetation known for its ability to survive severe weather, coupled with an industrial symbol of one of the worldís most active ports, is echoed in the multiplicity of the spars and in their kinetic nature. The leaf additionally embodies one of natureís more efficient processors of energyóengines that in their own small way absorb light, transform it into energy, and in the process make the continuation of life in other living beings possible. The Sunspars emulate this condition, building on Miamiís ability to absorb life and give it back in an ever-evolving process of reinvention and regeneration. |
| |
|
| |
|
| |
|
|
 |
| |
 |
|
Ming Tang
Architect andProfessor at the Savannah College of Art and Design
Other Team Member: Dihua Yang
|
| |
| Concept Statement |
Inspiration and 3D form:
The design was inspired by the organic form of flowers, sea shell and the fractal images generated with mathematics equations.
The 3D form was shaped through the simulation of a blooming flower. Each metal structure was generated by capturing the motion of the flower’s blooming sequence. The three dimensional curves shelving the skylight in the upper level and forms a light well, which gives the people the illusion they were standing inside a flower.
The dome creates an interior space without corner and edges. The series of geometric form shows the dynamically rhythm of a flower. It could also be read as a twisted inner structure of a sea shell, or a visual interpolation of the fractal equation in mathematics.
Urban Context of Miami
Miami is a tourist destination due to her unique beauty and culture. This monumental sculpture is located in the existing open space in the waterfront parks. Its organic and dynamic form will create a focal point for this area. Its unique dome shape is symbolic and significant from all the directions, especially from the downtown towers surrounding it. Its multifunctional inner space provides the tourist service, exhibition and the stage for performance. It is also a place to observe the beautiful Port of Miami and surrounded area.
The relation between buildings, artworks and industry productions were integrated through the urban sculpture. It is a combination of architecture and sculpture and reflects the esthetics of nature.
Overall, the design inspiration comes from the rhythm of motion graphics, and the beauty of mathematics, and graceful symmetry of shell. Most important, this blooming architecture will be an iconic monument for Miami, a city which is blooming after each hurricane season in Florida. |
| |
|
|
 |
| |
|
 |
|
Jorge Peralta Urquiza
Architect
Other team members: Animation Artist: Alejandro Fernandez &
Historic Consulting: Robin Scott
|
| |
| Concept Statement |
Miami, a rapidly advancing city with a multitude of diverse cultures, has developed a style unique from the rest of the United States. Thus, it merits its own unique monument or icon. First and foremost, such icon must push the boundaries of technology. Throughout history, the structures which have become icons of their cities invariably have pushed such boundaries. Take, for example, the St. Louis Arch, the Empire State Building, or the Eiffel Tower. All began as challenges to current technology. Accordingly, I have created a structure on the cutting-edge. Second, such icon must incorporate the historical architectural elements that have made Miami unique. The art deco style, specifically the tropical form of this architectural style with its bright colors and bold shapes, is one of those elements. So I have incorporated such elements into this structure, most noticeably allowing the façade to be washed by light in changing tropical hues. Finally, the poetic images which one identifies with Miami must be taken into account in creating an icon for this city. Therefore, I have created a structure which replicates the interaction of tropical force winds with the fronds of the palm tree. The structure I have created is in fact a synthesis of the hurricane and the palm tree, as can be seen by its funnel-like form and the long spindle-like elements protruding from the façade.
|
|
|
| |
|
|
|